began his musical study at the age of 5 in Kansas City and went on to study at the prestigious Interlochen Arts Academy. He continued his education at The Juilliard School, where he received his Bachelor of Music in 2003 and his Master of Music in 2005. While at Juilliard, he studied piano with Abbey Simon, organ with Gerre Hancock and Paul Jacobs, harpsichord with Lionel Party, and conducting with James dePriest and Judith Clurman. A versatile musician and conductor, Fowler works in many areas of the music scene in New York City. He is a veteran of numerous Broadway shows, most recently performing in the Tony Award winning musical Jersey Boys. A seasoned church musician, Fowler is currently the organist at Marble Collegiate Church on Fifth Avenue and also leads services and concerts at Park Avenue Synagogue, where he has served as Music Director since 2012. As a classical soloist and collaborative artist, he has performed and recorded with many world-renowned musicians and ensembles, including Deborah Voigt and the Los Angeles Philharmonic. He began to collaborate with the Mark Morris Dance Group in 2005 and has since then performed over 40 pieces with the company on almost every keyboard instrument possible, including the harmonium and toy piano, and has conducted performances of Mozart Dances, Acis and Galatea, and The Hard Nut. Hailed by The New York Times as 'invaluable' and 'central to Morris' music', he was appointed music director in 2013
is a multi-genre singer, musician, and songwriter originally from Key West, Florida. As a choral singer he has worked with many of the world’s luminary conductors and orchestras, most recently including engagements with the New York Philharmonic, Berlin Philharmonic, and San Francisco Symphony. As a popular songwriter and frontman for The Clinton Curtis Band he has toured internationally as a cultural ambassador with the U.S Department of State. He has released five original studio albums available at music.clintoncurtis.com. He made his operatic and Mark Morris Dance Group debuts with Curlew River at BAM in 2017.
is a multi-instrumentalist and composer. Since moving to New York in 1994 he has been a vital part of the Downtown and Brooklyn scene, playing trombone with the Lee Konitz Nonet, Ohad Talmor/Steve Swallow Sextet, Mary Halvorson Octet, and the John Hollenbeck Large Ensemble. He has released 4 albums as a leader including The Heavens: The Atheist Gospel Trombone Album. He co-leads Brooklyn’s premiere Mexican brass band, Banda de los Muertos. Since 2006 Jacob has contributed dozens of arrangements and transcriptions for Kronos Quartet of music from all over the world. His arrangements were featured on Floodplain, Rainbow, and A Thousand Thoughts. He composed the score for Kronos for the documentaries The Campaign and Green Fog directed by Guy Maddin. He has created arrangements for vocalists Anne Sofie von Otter, Angelique Kidjo, Laurie Anderson, Rhiannon Giddens, kd lang, Natalie Merchant, Tanya Tagaq, and Alim Qasimov. As a trombonist Jacob has worked with many luminaries of the avant-garde, including Henry Threadgill, Laurie Anderson, Anthony Braxton, Anthony Coleman, Joe Maneri, Frank London, James Tenney, Terry Reilly, and George Lewis. He has also played in ensembles led by emerging artists Mary Halvorson, Darcy James Argue, Dan Weiss, Miguel Zenon, and Steve Lehman, and has been named a “Rising Star” in the Downbeat Jazz Critic’s Poll.
works primarily in the medium of solo saxophone, an approach through which he gained world-wide critical acclaim with the release of his 2009 recording Blue Soliloquy: Solo Works for Soprano Saxophone, which received a five star review in Downbeat magazine. Mr. Newsome sees himself more along the lines of a visual artist who paints with notes and sounds rather than shapes and colors. “My music, “ says Newsome, “is a type of improvisatory art music in which jazz functions more as a resource than a musical genre to be interpreted with stylistic specificity. “ Even though Newsome’s approach is unorthodox, it has proven to be very fruitful—musically and critically.
is a composer-pianist/keyboardist, thereminist, and Haken Continuumist. He has worked with Simon and Garfunkel, Wayne Shorter, Antônio Carlos Jobim, Bobby McFerrin, Willie Nelson, Paul Simon, Gotye, The Boston Pops, Chaka Khan, Laurie Anderson, Arif Mardin, Stevie Wonder, Adam Guettel, Paul Bley, T-Bone Walker, Sam Rivers, Christian Marclay, Matthew Barney, Ang Lee, Maria Schneider, The Klezmatics, Bernie Worrell, Annette Peacock, Gwyneth Paltrow, Mabou Mines, Geoffrey Holder, John Cale, Steve Buscemi, Iva Bittova, Theo Bleckmann, John Stubblefield, The Roches, Jack Quartet, Teo Macero, Hal Willner, Vernon Reid, The Everly Brothers, Kurt Vonnegut, Odetta, Joseph Jarman, Alwin Nikolai/ Murray Louis Dance Company, Marc Ribot, Frank London and Sammy Davis Jr. As a world class thereminist, Rob has been featured on CBS Sunday Morning, The New York Times, and the Wall Street Journal. A founding member and co-director of The NY Theremin Society, his credits as theremin soloist include The Boston Pops, The Orchestra of St. Luke's (which included Rob's theremin arrangement of Bernard Herrmann's "Scene d'Amour" from Vertigo,) Bobby McFerrin at Carnegie Hall, Gotye’s Ondioline Orchestra and Simon & Garfunkel's world tours. In addition to his CD Theremin Noir (with Uri Caine and Mark Feldman,) Rob played on Trey Anastasio's CD Traveler, Matthew Barney’s epic movie Cremaster 3 and A&E’s Breakfast with the Arts.
is a Brooklyn-based jazz drummer. His first album as a bandleader and composer, Apocryphal, was released by Loyal Label in 2014. Originally from a small town south of Utica, New York, Vin moved to NYC right after college, and he's lived in Brooklyn almost long enough to say he's from Brooklyn. He's performed with many amazing musicians, but feels self-conscious about dropping names, so he's not going to do it, save mentioning the late, great pianist Mr. James Williams, with whom Vin played many memorable concerts. He plays in several bands, spent a recent summer at the Oregon Shakespeare Festival as an actor (he played a drummer- not much of a stretch), is on some cool records that have just come out (Dana Lyn/Vincent D'Onofrio Slim Bone Head Volt, Sperrazza/Sacks/Kamaguchi Play Tadd Dameron, Jacob Garchik Ye Olde), and as of this writing, is listening to rough mixes of three new projects: Apocryphal II (with the returning cast of Loren Stillman, Brandon Seabrook, Eivind Opsvik, produced by Geoff Kraly), a quartet date with Chris Speed, Bruce Barth, and Peter Brendler, and an album of music by Lee Morgan for Fresh Sound Records, all for 2017 release.
has recently appeared at Stormen Konserthus Bodø (Norway), Fajr Festival (Iran), Skirball Center (New York), Tokyo Bunka Kaikan (Japan), the National Theater in Taipei (Taiwan), and Auditorio de Ciudad de León (Spain). His performances have been singled out for their “Mozartean elegance,” “perfect lucidity” (The New York Times), and “superb musicianship” (The Miami Herald). His recording of the piano music of Claude Debussy and Pierre Boulez was selected by rhapsody.com as one of the top 25 classical albums of 2013. Shevtsov is a dedicated collaborator in the world of dance, and in addition to working with MMDG since 2008, he has worked with Lar Lubovitch, Benjamin Millepied, Alexander Ratmansky, John Heginbotham, and others. Among the composers who have heard Shevtsov perform their works are Pierre Boulez, John Luther Adams, Elliott Carter, Charles Wuorinen, Georg Friedrich Haas, Steve Reich, Louis Andriessen, and George Crumb. More information at facebook.com/georgeshevtsovpiano.